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Ancient Mexican Art at Dumbarton Oaks
Susan Toby Evans
Harvard University Press, 2010
This volume, the third in a series of catalogues of Pre-Columbian art at Dumbarton Oaks, presents the outstanding collection of Aztec, Mixtec, Zapotec, Teotihuacan, and Classic Veracruz sculpture, jewelry, and painting. Four leading scholars present essays on the ancient art and archaeology of Mexico’s Central Highlands, Southwestern Highlands, and Gulf Lowlands as well as extensive catalogue entries of over one hundred objects of jade, shell, fine ceramics, wood, and other materials. The catalogue is richly illustrated with color plates, comparative illustrations, and diagrams presented as black-and-white figures. This catalogue will be an important and enduring reference for scholars and students, as well as an attractive volume for admirers of Pre-Columbian art.
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Classic-Period Cultural Currents in Southern and Central Veracruz
Philip J. Arnold III
Harvard University Press, 2008

Classic-Period Cultural Currents in Southern and Central Veracruz explores the diverse traditions and dynamic interactions along the Mexican Gulf lowlands at the height of their cultural florescence. Best known for their elaborate ballgame rituals and precocious inscriptions with long-count dates, these cultures served as a critical nexus between the civilizations of highland Mexico and the lowland Maya, influencing developments in both regions.

Eleven chapters penned by leading experts in archaeology, art history, and linguistics offer new insights into ancient iconography and writing, the construction of sociopolitical landscapes, and the historical interplay between local developments and external influences at Cerro de las Mesas, Tres Zapotes, Matacapan, and many lesser-known sites. The result is a new, vibrant perspective on ancient lifeways along the Mexican Gulf lowlands and an important updated source for future research in the region.

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The Lords of Lambityeco
Political Evolution in the Valley of Oaxaca during the Xoo Phase
Michael Lind
University Press of Colorado, 2010
The Valley of Oaxaca was unified under the rule of Monte Albán until its collapse around AD 800. Using findings from John Paddock’s long-term excavations at Lambityeco from 1961 to 1976, Michael Lind and Javier Urcid examine the political and social organization of the ancient community during the Xoo Phase (Late Classic period).Focusing on change within this single archaeological period rather than between time periods, The Lords of Lambityeco traces the changing political relationships between Lambityeco and Monte Albán that led to the fall of the Zapotec state. Using detailed analysis of elite and common houses, tombs, and associated artifacts, the authors demonstrate increased political control by Monte Albán over Lambityeco prior to the abandonment of both settlements. Lambityeco is the most thoroughly researched Classic period site in the valley after Monte Albán, but only a small number of summary articles have been published about this important locale. This, in combination with Lambityeco’s status as a secondary center—one that allows for greater understanding of core and periphery dynamics in the Monte Albán state—makes The Lords of Lambityeco a welcome and significant contribution to the literature on ancient Mesoamerica.
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Their Way of Writing
Scripts, Signs, and Pictographies in Pre-Columbian America
Elizabeth Hill Boone
Harvard University Press, 2011

Writing and recording are key cultural activities that allow humans to communicate across time and space. Whereas Old World writing evolved into the alphabetic system that is now employed around the world, the indigenous peoples in the Americas autonomously developed alternative systems that conveyed knowledge in a tangible medium. New World systems range from the hieroglyphic script of the Maya, to the figural and iconic pictographies of the Aztecs, Mixtecs, and Zapotecs in Mexico and the Moche in Peru, to the abstract knotted khipus of the Andes. Like Old World writing, these systems represented a cultural category that was fundamental to the workings of their societies, one that was heavily impregnated with cultural value.

The fifteen contributors to Their Way of Writing: Scripts, Signs, and Pictographies in Pre-Columbian America consider substantive and theoretical issues concerning writing and signing systems in the ancient Americas. They present the latest thinking about these graphic and tactile systems of communication. Their variety of perspectives and their advances in decipherment and understanding constitute a major contribution not only to our understanding of Pre-Columbian and indigenous American cultures but also to our comparative and global understanding of writing and literacy.

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